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Douglas Flanders & Associates

  • Artists of Spain
  • Services
  • Artists A – D
  • Artists E – H
  • Artists I – P
  • Artists Q – Z
  • Coming Exhibitions
  • 2020 – 2025
    • Todd Clercx + Chris Faust + Doug Johnson
    • George J Farrah + Kellie Rae Theiss + Holiday
    • Bruce Nygren + Flights of Fantasy
    • Dieterich Spahn + State Fair Rejects
    • SUMMER SHOW
    • Matt Moberg - North Country
    • Colorful Narratives
    • Holiday Hues
    • Lawrence Gipe: New Works from the Locomotive Series
    • Master Prints 2023
    • En Plein Air
    • Joyce Weinstein: Country FIelds
    • Juxtaposition
    • Feel the Warmth
    • Mary Lingen: Four Seasons
    • CELEBRATING 50 YEARS
    • Scott Lloyd Anderson – Oil Paintings
    • The Warehouse Show Part 2: Paintings+
    • The Warehouse Show Part 1: Master Prints
    • 2022 Valentine's Day Gift Guide
    • Hunt Slonem: Birds, Bunnies & Butterflies
    • New 22: George Halvorson Recent Paintings
    • Kim Matthews: Objects of Affection
    • Donna Bruni Recent Paintings
    • #streetart
    • April Showers Bring May Flowers
    • Photographs by Jack Spencer
    • Gift. Art.
    • Suzanne Howe: The Secret Life of Objects: Fall 2019
    • 12 Artists: Painting Minnesota / A Virtual Exhibit
  • 1972 – 2019
  • Catalogs
  • Team
  • Client Resources
  • Notable Sales
  • Open Call
  • Parade of Homes
  • News
  • Contact
LGipe-London-1940-2017-16x20.jpg

Lawrence Gipe

American, b. 1962, Baltimore, Maryland
Lives and works in Tucson, Arizona
lawrencegipe.com

Lawrence Gipe is an American painter, independent curator, and Associate Professor of 2D studies at The University of Arizona, Tucson. He received a BFA from Virginia Commonwealth University (1984) and an MFA from the Otis/Parsons Institute of Art and Design, Los Angeles (1986). He maintains a studio practice in Los Angeles, splitting his time between California and Arizona.

Gipe's work utilizes “irredeemable” imagery sourced from an archive of business magazines (specifically, Fortune), propaganda tracts, social realism photography and other officially "sanctioned" artworks approved by politically-orientated bodies (such as the former Soviet Union, countries in the former Eastern Bloc, and China). His paintings translate small black and white images into large-scale works, saturated with color, in an ongoing series called The Century of Progress Museum. Severed from their original contexts, these reinterpretations encourage the viewer to reconstruct the original image's ideological landscape.

Artist and writer David Humphrey describes Gipe's practice thus, "The great mass of pictures left behind by history has become a kind of second nature for many contemporary artists. Lawrence Gipe has been an intrepid painter from this archive, selecting, representing, and recontextualizing second and third hand sources. With a keen eye for authoritarian rhetorics, Gipe refigures period photographs as paintings, while slyly balancing connoisseurship and interrogation.” In his review of Gipe's The Last Picture Show (1999) exhibition at Joseph Helman (New York), critic Donald Kuspit writes in Artforum, "By showing us the tricks of the painting and photography trades, by heightening his effects until they become vulgarly evident, Gipe suggests that art as such is a species of rhetoric, adding no substance to what it renders but only “orating” it in a convincing way." As an organizer of, and participant in, the group exhibition One Year: The Art of Politics in Los Angeles (2018) at Glendale’s Brand Library and Art Center, Los Angeles Times art critic Christopher Knight felt that the show had taken "the defensible position that on some level all art is political."

Gipe has received two NEA Individual Fellowship Grants (Painting, 1989 and Works on Paper, 1996). A mid-career survey, 3 Five-Year Plans: Lawrence Gipe, 1990-2005, was organized in 2006 by Marilyn Zeitlin at the ASU Art Museum, Tempe at Arizona State University. In 2001, Gipe was commissioned to create a mural for the lobby of the Federal Reserve Bank Headquarters in Atlanta, Georgia. In 2014, Gipe won a University of Arizona Confluencenter Faculty Collaboration and Innovation Grant for Documenting Operation Streamline: an ongoing drawing project, and published Operation Streamline: A Reader with funds from the grant (2015), combining his sketches from Federal Court with press clippings and original research from University of Arizona journalism students. These drawings have been used to illustrate articles and news features on Univision, Univision Nacional, PBS NewsHour, AZ Daily Star, Tucson Weekly, CBS News, Center for Latin American Studies, and Arizona Public Media. In 2019, Gipe participated in a residency at Tsinghua University in Beijing, China. As part of the residency, Gipe taught a two-week course, had an exhibition, and held a lecture. He gave students his perspectives about contemporary art, and emphasized the importance of conceptual development and social interaction between artists and the community.

Selected solo museum exhibitions include the Laguna Art Museum (Laguna Beach, CA), Amerika-Haus (Berlin), Worcester Art Museum, (Worcester, Massachusetts), Kunstverein für die Rheinlande und Westfalen (Düsseldorf), and The Chrysler Museum (Norfolk, VA). Permanent collections include The Brooklyn Museum, Los Angeles County Museum of Art (LACMA), San Jose Museum of Art, Santa Barbara Museum of Art, Yale University Library, Zimmerli Archive (Rutgers University, New Jersey), Boise Art Museum, Cincinnati Art Museum, The Ringling Museum, the Federal Reserve Board Fine Arts Program, and the Norton Museum of Art.

Recent Work
Gipe’s latest series, Russian Drone Paintings, employs the visual style of “Manifest Destiny” canvasses of the 19th Century. This directly references the Industrial Revolution: the historical origin, in his view, of our total ecological peril. Source images are derived from screenshots of drone footage posted on the now-censored RT news service run by the Russian government. These works address issues of hostile surveillance, climate change, and the Anthropocene. Seen through the lens of our global “adversary”, images of cities abandoned due to radioactivity, bombardment, and other traumatic events become representative of humanity’s relentless intrusion into nature. Selected works from this series feature prominently in Gipe's 2022 solo exhibition, Recent Pictures, at William Turner Gallery, Los Angeles.

Selected Solo Exhibitions
1986 Karl Bornstein Gallery, Santa Monica, CA
1988 Laguna Art Museum, Laguna Beach, CA
1989 Galerie Six Friedrich, Munich, Germany
1989 America Haus, Berlin, Germany
1989 Hartje Galerie, Frankfurt, Germany
1990 Shea & Beker Gallery, New York, NY
1992 BlumHelman Gallery, New York, NY
1992 Galerie Six Friedrich, Munich, Germany
1992 Worcester Art Museum, Worcester, MA
1993 BlumHelman Warehouse, New York, NY
1993 Food House, Santa Monica, CA
1993 Modernism Gallery, San Francisco, CA
1993 Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
1994 Ruth Bloom Gallery, Santa Monica, CA
1994 The Chrysler Museum, Norfolk, VA
1996 Joseph Helman Gallery, New York, NY
1996 Kohn-Turner Gallery, Los Angeles, CA
1996 Quartet Editions, New York, NY
1996 Hunsaker Schlesinger Fine Art, Santa Monica, CA
1998 Joseph Helman Gallery, New York, NY
1998 Fay Gold Gallery, Atlanta, GA
1999 Joseph Helman Gallery, New York, NY
2001 Alan Koppel Gallery, Chicago, IL
2001 Joseph Helman Gallery, New York, NY
2006 Bentley Projects, Phoenix, AZ
2006 University Art Museum at Arizona State, Tempe, AZ (Mid-Career Survey)
2007 Alexander Gray Associates, New York, NY
2007 Byron Cohen Gallery, Kansas City, MO
2008 Randall Scott Gallery, Washington, DC
2010 Lora Schlesinger Gallery, Santa Monica, CA
2011 Tucson Museum of Art, Tucson, AZ
2012 Primary Projects, Miami, FL
2014 Galerie Michael Heufelder, Munich, Germany
2015 Lora Schlesinger Gallery, Santa Monica, CA
2018 Lora Schlesinger Gallery, Santa Monica, CA
2019 Tsinghua University Academy of Art and Design, Beijing, People's Republic of China (PRC)
2021 Paul Mahder Gallery, Healdsburg, CA
2022 William Turner Gallery, Santa Monica, CA

Permanent Collections
The Brooklyn Museum
Los Angeles County Museum of Art
San Jose Museum of Art
Santa Barbara Museum of Art
Yale University Library
Boise Art Museum
Cincinnati Art Museum
Norton Museum of Art
The Ringling Museum of Art

Lawrence Gipe

American, b. 1962, Baltimore, Maryland
Lives and works in Tucson, Arizona
lawrencegipe.com

Lawrence Gipe is an American painter, independent curator, and Associate Professor of 2D studies at The University of Arizona, Tucson. He received a BFA from Virginia Commonwealth University (1984) and an MFA from the Otis/Parsons Institute of Art and Design, Los Angeles (1986). He maintains a studio practice in Los Angeles, splitting his time between California and Arizona.

Gipe's work utilizes “irredeemable” imagery sourced from an archive of business magazines (specifically, Fortune), propaganda tracts, social realism photography and other officially "sanctioned" artworks approved by politically-orientated bodies (such as the former Soviet Union, countries in the former Eastern Bloc, and China). His paintings translate small black and white images into large-scale works, saturated with color, in an ongoing series called The Century of Progress Museum. Severed from their original contexts, these reinterpretations encourage the viewer to reconstruct the original image's ideological landscape.

Artist and writer David Humphrey describes Gipe's practice thus, "The great mass of pictures left behind by history has become a kind of second nature for many contemporary artists. Lawrence Gipe has been an intrepid painter from this archive, selecting, representing, and recontextualizing second and third hand sources. With a keen eye for authoritarian rhetorics, Gipe refigures period photographs as paintings, while slyly balancing connoisseurship and interrogation.” In his review of Gipe's The Last Picture Show (1999) exhibition at Joseph Helman (New York), critic Donald Kuspit writes in Artforum, "By showing us the tricks of the painting and photography trades, by heightening his effects until they become vulgarly evident, Gipe suggests that art as such is a species of rhetoric, adding no substance to what it renders but only “orating” it in a convincing way." As an organizer of, and participant in, the group exhibition One Year: The Art of Politics in Los Angeles (2018) at Glendale’s Brand Library and Art Center, Los Angeles Times art critic Christopher Knight felt that the show had taken "the defensible position that on some level all art is political."

Gipe has received two NEA Individual Fellowship Grants (Painting, 1989 and Works on Paper, 1996). A mid-career survey, 3 Five-Year Plans: Lawrence Gipe, 1990-2005, was organized in 2006 by Marilyn Zeitlin at the ASU Art Museum, Tempe at Arizona State University. In 2001, Gipe was commissioned to create a mural for the lobby of the Federal Reserve Bank Headquarters in Atlanta, Georgia. In 2014, Gipe won a University of Arizona Confluencenter Faculty Collaboration and Innovation Grant for Documenting Operation Streamline: an ongoing drawing project, and published Operation Streamline: A Reader with funds from the grant (2015), combining his sketches from Federal Court with press clippings and original research from University of Arizona journalism students. These drawings have been used to illustrate articles and news features on Univision, Univision Nacional, PBS NewsHour, AZ Daily Star, Tucson Weekly, CBS News, Center for Latin American Studies, and Arizona Public Media. In 2019, Gipe participated in a residency at Tsinghua University in Beijing, China. As part of the residency, Gipe taught a two-week course, had an exhibition, and held a lecture. He gave students his perspectives about contemporary art, and emphasized the importance of conceptual development and social interaction between artists and the community.

Selected solo museum exhibitions include the Laguna Art Museum (Laguna Beach, CA), Amerika-Haus (Berlin), Worcester Art Museum, (Worcester, Massachusetts), Kunstverein für die Rheinlande und Westfalen (Düsseldorf), and The Chrysler Museum (Norfolk, VA). Permanent collections include The Brooklyn Museum, Los Angeles County Museum of Art (LACMA), San Jose Museum of Art, Santa Barbara Museum of Art, Yale University Library, Zimmerli Archive (Rutgers University, New Jersey), Boise Art Museum, Cincinnati Art Museum, The Ringling Museum, the Federal Reserve Board Fine Arts Program, and the Norton Museum of Art.

Recent Work
Gipe’s latest series, Russian Drone Paintings, employs the visual style of “Manifest Destiny” canvasses of the 19th Century. This directly references the Industrial Revolution: the historical origin, in his view, of our total ecological peril. Source images are derived from screenshots of drone footage posted on the now-censored RT news service run by the Russian government. These works address issues of hostile surveillance, climate change, and the Anthropocene. Seen through the lens of our global “adversary”, images of cities abandoned due to radioactivity, bombardment, and other traumatic events become representative of humanity’s relentless intrusion into nature. Selected works from this series feature prominently in Gipe's 2022 solo exhibition, Recent Pictures, at William Turner Gallery, Los Angeles.

Selected Solo Exhibitions
1986 Karl Bornstein Gallery, Santa Monica, CA
1988 Laguna Art Museum, Laguna Beach, CA
1989 Galerie Six Friedrich, Munich, Germany
1989 America Haus, Berlin, Germany
1989 Hartje Galerie, Frankfurt, Germany
1990 Shea & Beker Gallery, New York, NY
1992 BlumHelman Gallery, New York, NY
1992 Galerie Six Friedrich, Munich, Germany
1992 Worcester Art Museum, Worcester, MA
1993 BlumHelman Warehouse, New York, NY
1993 Food House, Santa Monica, CA
1993 Modernism Gallery, San Francisco, CA
1993 Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
1994 Ruth Bloom Gallery, Santa Monica, CA
1994 The Chrysler Museum, Norfolk, VA
1996 Joseph Helman Gallery, New York, NY
1996 Kohn-Turner Gallery, Los Angeles, CA
1996 Quartet Editions, New York, NY
1996 Hunsaker Schlesinger Fine Art, Santa Monica, CA
1998 Joseph Helman Gallery, New York, NY
1998 Fay Gold Gallery, Atlanta, GA
1999 Joseph Helman Gallery, New York, NY
2001 Alan Koppel Gallery, Chicago, IL
2001 Joseph Helman Gallery, New York, NY
2006 Bentley Projects, Phoenix, AZ
2006 University Art Museum at Arizona State, Tempe, AZ (Mid-Career Survey)
2007 Alexander Gray Associates, New York, NY
2007 Byron Cohen Gallery, Kansas City, MO
2008 Randall Scott Gallery, Washington, DC
2010 Lora Schlesinger Gallery, Santa Monica, CA
2011 Tucson Museum of Art, Tucson, AZ
2012 Primary Projects, Miami, FL
2014 Galerie Michael Heufelder, Munich, Germany
2015 Lora Schlesinger Gallery, Santa Monica, CA
2018 Lora Schlesinger Gallery, Santa Monica, CA
2019 Tsinghua University Academy of Art and Design, Beijing, People's Republic of China (PRC)
2021 Paul Mahder Gallery, Healdsburg, CA
2022 William Turner Gallery, Santa Monica, CA

Permanent Collections
The Brooklyn Museum
Los Angeles County Museum of Art
San Jose Museum of Art
Santa Barbara Museum of Art
Yale University Library
Boise Art Museum
Cincinnati Art Museum
Norton Museum of Art
The Ringling Museum of Art

Gipe_headshot.jpeg

Gipe_headshot.jpeg

Painting No. 51 from the Locomotive Series (After Paul Wolff, Hamburg, 1937), 2022 – 2023

Painting No. 51 from the Locomotive Series (After Paul Wolff, Hamburg, 1937), 2022 – 2023

Oil on Canvas, 72 x 60 inches

Train Study, 2017

Train Study, 2017

Graphite on Arches Paper, 22 x 17 inches

Study for London Station, 1940, 2022

Study for London Station, 1940, 2022

Graphite on Arches Paper, 19 x 27 inches

Study for Great Fog (London), 2022

Study for Great Fog (London), 2022

Graphite on Arches Paper, 19 x 27 inches

London, 1940, 2017

London, 1940, 2017

Graphite on Arches Paper, 16 x 20 inches

Train Study (Dresden, 1950), 2022

Train Study (Dresden, 1950), 2022

Oil on Canvas, 72 x 96 inches

Train Study (Chicago), 2022

Train Study (Chicago), 2022

Oil on Canvas, 72 x 96 inches

Lombardsbrücke 1936, 2023

Lombardsbrücke 1936, 2023

Oil on Panel, 24 x 30 inches

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