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Douglas Flanders & Associates

5025 France Avenue South
Minneapolis, MN, 55410
612-920-3497
Fine Art Gallery & Consultants Since 1972

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Douglas Flanders & Associates

  • Artists of Spain
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  • 2020 – 2025
    • Todd Clercx + Chris Faust + Doug Johnson
    • George J Farrah + Kellie Rae Theiss + Holiday
    • Bruce Nygren + Flights of Fantasy
    • Dieterich Spahn + State Fair Rejects
    • SUMMER SHOW
    • Matt Moberg - North Country
    • Colorful Narratives
    • Holiday Hues
    • Lawrence Gipe: New Works from the Locomotive Series
    • Master Prints 2023
    • En Plein Air
    • Joyce Weinstein: Country FIelds
    • Juxtaposition
    • Feel the Warmth
    • Mary Lingen: Four Seasons
    • CELEBRATING 50 YEARS
    • Scott Lloyd Anderson – Oil Paintings
    • The Warehouse Show Part 2: Paintings+
    • The Warehouse Show Part 1: Master Prints
    • 2022 Valentine's Day Gift Guide
    • Hunt Slonem: Birds, Bunnies & Butterflies
    • New 22: George Halvorson Recent Paintings
    • Kim Matthews: Objects of Affection
    • Donna Bruni Recent Paintings
    • #streetart
    • April Showers Bring May Flowers
    • Photographs by Jack Spencer
    • Gift. Art.
    • Suzanne Howe: The Secret Life of Objects: Fall 2019
    • 12 Artists: Painting Minnesota / A Virtual Exhibit
  • 1972 – 2019
  • Catalogs
  • Team
  • Client Resources
  • Notable Sales
  • Open Call
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Jasper Johns

American
b. May 15, 1930, Augusta, Georgia
Lives and works in New York, New York

Jasper Johns is one of most significant and influential American painters of the twentieth century. He ranks as one of the greatest printmakers of any era. In addition, he makes many drawings — unique works on paper, usually based on a painting he has previously painted. He has also created an unusual body of sculptural objects.

Johns' early mature work of the mid- to late 1950s helped to invent a new style that engendered a number of subsequent art movements, among them Pop, Minimal, and Conceptual art. That new style has usually been understood to be coolly antithetical to the expressionistic gestural abstraction of the previous generation. While Johns' painting often extended the allover compositional techniques of Abstract Expressionism, his use of these techniques stresses conscious control rather than spontaneity.

The American flag subject is typical of Johns' use of quotidian imagery in the mid- to late 1950s. As he explained, the imagery derives from things the mind already knows, utterly familiar icons such as flags, targets, stenciled numbers, ale cans, and, slightly later, maps of the U.S.

As Johns became well known he began choosing images that he identified in interviews as things he had seen — for example, a pattern of flagstones he glimpsed on a wall while driving. Still later, he sourced details from famous works of art. He has included in most of his art certain marks and shapes that clearly display their derivation from factual, unimagined things in the world, including handprints and footprints, casts of parts of the body, or even stamps made from objects found in his studio.

Jasper Johns artworks are represented in every major museum throughout the world. His works are also in most discerning private contemporary art collections.

jasper-johns.org

Jasper Johns

American
b. May 15, 1930, Augusta, Georgia
Lives and works in New York, New York

Jasper Johns is one of most significant and influential American painters of the twentieth century. He ranks as one of the greatest printmakers of any era. In addition, he makes many drawings — unique works on paper, usually based on a painting he has previously painted. He has also created an unusual body of sculptural objects.

Johns' early mature work of the mid- to late 1950s helped to invent a new style that engendered a number of subsequent art movements, among them Pop, Minimal, and Conceptual art. That new style has usually been understood to be coolly antithetical to the expressionistic gestural abstraction of the previous generation. While Johns' painting often extended the allover compositional techniques of Abstract Expressionism, his use of these techniques stresses conscious control rather than spontaneity.

The American flag subject is typical of Johns' use of quotidian imagery in the mid- to late 1950s. As he explained, the imagery derives from things the mind already knows, utterly familiar icons such as flags, targets, stenciled numbers, ale cans, and, slightly later, maps of the U.S.

As Johns became well known he began choosing images that he identified in interviews as things he had seen — for example, a pattern of flagstones he glimpsed on a wall while driving. Still later, he sourced details from famous works of art. He has included in most of his art certain marks and shapes that clearly display their derivation from factual, unimagined things in the world, including handprints and footprints, casts of parts of the body, or even stamps made from objects found in his studio.

Jasper Johns artworks are represented in every major museum throughout the world. His works are also in most discerning private contemporary art collections.

jasper-johns.org

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612-791-1285 Doug Cell

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